

Statuette of St Corentin

The
font (c 1150) has a central pillar with four (1800s) serpentine shafts
replacing the granite originals


Carving above East Window


Two of the four
porcelain tablets (1873) have the ten commandments, Lord's Prayer and
Creed

Chancel & Modern High
Altar made by local cabinet maker

The Squint or Hagioscope and Rood
screen stairs entrance
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The Cury Cross stands
9 ft high by the South gate of the churchyard and is a particularly fine
example of its type.
The
west tower which is so prominent a landmark, is, like the rest of the
church, built of granite, in two stages, unbuttressed, as with most of the
local churches - a buttress is a mass of masonry projecting from or built
into the main fabric to give additional strength. The stair turret rises
in the north west corner above the pinnacles. The west door is simple
enough, but notice the carved heads used as label stops both at the
doorway, and in the window above.

One of
the outstanding features of Cury is its Norman south doorway (4) - the
Victorian work on the adjacent transept makes it now seem unfortunately
cramped on the east side, but it remains remarkable. The tympanum above
the doorway has a series of interlaced rings - a familiar emblem used to
represent eternity; these are surrounded by the more familiar Norman
zigzags and beads. The zigzag motif is repeated in the column below.
The work of the
restorers is immediately apparent inside the church. The familiar,
uncluttered lines of the Victorian pews are matched above by the hammer
beam roof, a superb piece of craftsmanship; walls have been
rendered, but not coloured or whitewashed, and consequently the interior
lacks immediate focus, so that no particular features stand out.
ST
CORENTIN
He
was an important Breton saint, first mentioned in the 9th
Century; as a hermit, he lived by a stream containing a miraculous fish,
from which he was able to take a slice each day for his meal. (The fish
miraculously regenerated its flesh before it was next required). His
reputation for sanctity caused him to be chosen as first bishop of
Cornouaille in Brittany. His relics are to be found in the Cathedral at
Quimper which was later dedicated to him. In 1219 this place was first
named as Egloscuri - Cury is probably a pet-form of Corentin. The
statuette in the church is of St Corentin.
There is clear evidence of the more
catholic traditions of the church at Cury: Stations of the Cross are to be
found all round the church, and some may recall the name of a former
Vicar, Fr Sandys Wason, who achieved some degree of celebrity in the early
part of this century for his ritual practices.

The south wall is probably the oldest
part of the church, with features dating from either Norman times, like
the door, or from the 14th Century. The north Arcade and the
North Aisle are 15th Century work, the arches and piers are
made of St Stephen’s porcelain stone which is less coarse than granite.
Just
to the left of the south doorway is the font: it has somewhat crudely cut
corner shafts with shallowly carved stars or medallions between them.
Notice the capitals
to the pillars - they all have the horizontal leaf pattern which is so
frequently found in Cornish churches of this period.
The Rood Stairway is
still to be seen in the North Aisle and South transept: the Screen itself
was removed sometime before the restoration, having fallen into disrepair.
The
carving above the East window of the North aisle is clearly much older
than the rest of this part of the church: and probably dates from the 13th
Century - it is likely that it was placed here when the old North wall was
removed to build the aisle. Looking at the plasterwork everywhere in Cury,
one wonders what else may be hidden by the work of a hundred years ago -
some of which is currently scheduled for renovation.
In
the Chancel is a good early Piscina, used for washing the vessels used in
Holy Communion.
One of the
oddities of Cury is the Squint or Hagioscope, connecting the South Transept, and the Chancel. As in Landewednack
or Mawgan in Meneage for example, the custom in these parts was to remove
the corner and replace it with a single standing octagonal pier, but this
one presents other oddities - there is a window into the churchyard, which
some believe to be a Leper’s Window, to allow sight, from the outside of
the Altar within. There is also the complicated arrangements of the
stairs giving access to the old Rood loft. When the Victorian restoration
took place, it is probable that some of the original stonework was moved
to its present position.
At the tower end, the
west window displays the nativity of the shepherds (Luke 2: 8-20) and
Epiphany Kings (Matthew2; 1-12)

There are statues
of Jesus, St.Corentin, Mary & Jesus, Mary, Mary of Walsingham and a
Bishop-Saint. The Altar Rererdos is of the nativity. The fifteen stations
of the cross end at the tabernacle in the Mary Chapel, where the reserved
sacrement and Holy oils are kept.
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